Ice Bar

In this dark fantasy short story collection, I am sharing my water movement stories: stories that focus on active women, moving, swimming, engaging water in all its states, from ice to vapor, surviving in complexity. Disability meets non-realist embodiment.

Ice Bar, Petra Kuppers, Spuyten Duyvil Press, NYC, forthcoming April 2018, ISBN 978-1-944682-93-4    190 pages $16.00  www.spuytenduyvil.net/ice-bar.html  contact: petra@umich.edu

A reading from Ice Bar is a good lead-in for discussions about disability, LGBTQ experiences and the future; pain, myths and the body; climate change, access, and non-realist embodied and enminded difference in science fiction, fantasy, horror and literary work. It would pair well with other uses of creative writing in social justice activism, for instance the Octavia’s Brood or The Right Way to be Crippled and Naked anthologies.

Advance Praise for Ice Bar by Petra Kuppers:

In nineteen wildly imaginative and gemlike tales of reinvention and reclamation, Ice Bar offers us a world resembling our own, uncannily, but with both terrifying and reassuring differences.  Kuppers is a writer of rare gifts, one who transports herself and her reader into visionary, complicated, but also utterly plausible places.  With her empathy, combined with a piercing insight, we encounter through this work a world refusing to be set aside.  Ice Bar’s tales, like the best myths, both chill us and warm us as they expose our as-yet unexamined psyches, and reinventing our time, place, and positions in it.  This book’s insights are offered up by a rare talent, a serious and generous intelligence.  These are the stories we have been waiting to read, by the writer we’ve long needed.

Laura Kasischke, author of The Raising and Space, in Chains, and recipient of the National Book Critics Circle Award

Petra Kuppers’ Ice Bar is a lush and startling collection which often defies clean genre categories, blending apocalyptic futurism, fantasy, myth, steampunk, magical realism, and more. Kuppers’ poetic prose moves viscerally quick with its rich description and surreal details that leave you balancing on the edge of reality and something, somewhere else—a dream, a hallucination, a false memory. Importantly, the worlds of Kuppers’ stories are worlds with not only mermaids, ghosts and other non-human beings, but also worlds full of disabled people, queer people, and people of color whose narratives are not about their disability, sexuality, gender, or race alone. The politics of the texts are clear, yet unobtrusive, integrated into not merely content, but also the aesthetics of the collection.  Take the plunge and escape into the ever-shifting worlds of Ice Bar.

Sami Schalk, author of Bodyminds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction

The stories in Petra Kuppers’ Ice Bar are a fascinating blend of post-apocalyptic science fiction and psychedelically nightmarish fantasy, written in her signature poetic prose, and featuring a cast of queer, vulnerable, beautiful characters. Kuppers has that rare talent of being able to combine sometimes grittily realist stories and setting with surreal motifs weaving dreamily through fabulist and magical details. And even rarer, of addressing important, social and political themes without ever skimping on the quality and sheer delight of the writing.

Djibril al-Ayad, Editor, The Future Fire: Social-Political Speculative Fiction

Each story in Ice Bar unsettles the reader as Kuppers’ writing seamlessly slides between the familiarity of the present into strange apocalyptic visions and hidden dream worlds. Woven throughout the collection are the grounding touchstones of adaptation and interdependence, community, and raw human connection. Ice Bar elegantly expresses Kuppers’ dedication to creating art that entertains while thoughtfully fostering inclusivity and social justice.

Kathryn Allan, co-editor, Accessing the Future: A Disability-Themed Anthology of Speculative Fiction

In Petra Kuppers’ marvelously inventive collection of short stories, we journey from a post-apocalyptic world of fire and ice to a world where graveyard lichen from abandoned mental hospitals is smoked, calling back the dreams and nightmares of dead inmates. Past and present, human and animal, swim and swirl together here. Kuppers’ stories are grounded in disability culture, and they send down wild roots and sprout branches which twist and curl.

Anne Finger, author of Call me Ahab

Updates!

November 2017 news: One story in the collection, Fjord Dreams, has been nominated for a Pushcart by Dunes Review. Another story, The Wheelchair Ramp, has been nominated for The Best of the Net Anthology by Anomaly.

August 2017 news: Spuyten Duvil is publishing the Ice Bar short story collection in Spring 2018! I will post more information and publicity as it becomes available.

In May 2017, Deaf Poets Society published Dinosaur Dreams, a story inspired by Afrofuturism and Lovecraftian reinvention.

Also in May 2017, The Dunes Review published Fjord Pool, a troll story set in an Oslo swimming pool.

In March 2017, PodCastle created a PodCast of one of my stories, Ice Bar, beautifully introduced by Bogi Takács and read by Marguerite Croft.

In November 2016, Future Fire published one of my water women stories, with amazing illustrations by Miranda Jean. The Road Under the Bay. Future Fire. A Journal of Sociopolitical and Speculative Cyber-Fiction. The editor, Djibril al-Ayad, advertises the story in this way: “a luscious prose-poem of earth&water&architectural memory.” YES!

Check out the first one in the series, Playa Song, a sci-fi-y eco story published in Accessing the Future: A Disability-Themed Anthology of Speculative Fiction, a great collection that addresses themes close to my heart.

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